【专题】2020年第77届威尼斯国际电影节全程关注
《世界新闻》
导演: 保罗·格林格拉斯
编剧: 卢克·戴维斯 / Paulette Jiles
主演: 汤姆·汉克斯 / 尼尔·桑迪兰兹 / 海伦娜·曾格尔 / 弗莱德·赫钦格 / 迈克尔·安盖洛·科维诺
类型: 剧情
制片国家/地区: 美国
语言: 英语
上映日期: 2020-12-25(美国)
简介：Paul Greengrass’ output in the 2010s was mixed, with acclaim given towards Captain Phillips, but receiving backlash for his portrayal of a mass shooting in 22 July. Greengrass is an extremely fearless filmmaker who charges right into controversial subjects for better or for worse, meaning the prospect of him tackling America in the aftermath of the Civil War is certainly interesting. Following a newsreader who aims to reunite an orphaned girl with her family, another collaboration with Tom Hanks ensures that there will also be another masterful leading performance.
拉敏·巴哈尼《The White Tiger》
Compared to the quaint but powerful work in the prior decade, the last ten years for Ramin Bahrani has been one of a higher profile, directing star-studded projects like At Any Price, 99 Homes, and the quickly forgotten Fahrenheit 451. He’ll now be adapting another major novel with The White Tiger. Starring Priyanka Chopra-Jonas and Rajkummar Rao, the film follows a tea shop worker and driver who climbs the social ladder to become a successful businessman in deceitful ways. After a shoot this past fall in India, expect this to turn up at festivals later this year.
托马斯·阿尔弗莱德森《The Jonsson Gang》
After two of the greatest films of the century thus far, Let the Right One In and Tinker Tailor Soldier Spy, there hasn’t been a fall from grace quite like what Tomas Alfredson experienced with The Snowman. Thankfully, his crime thriller didn’t put him in director jail, rather just provided Film Twitter for endless jokes, courtesy of Universal’s marketing. For his next film, the Swedish director will be taking on a comedy with a reboot of J?nssonligan–itself a remake of the Danish series–which followed a group of criminals, including an explosions expert with alcoholism, as they plan a heist.
阿玛特·伊斯卡拉特《帝国之态》
While details are still minimal about the new Amat Escalante film, his previous works Heli and the Venice prize-winning The Untamed suggest that whatever he has in store for audiences will be thought-provoking and formally magnificent. Escalante has done substantive work exploring the social injustices that linger underneath contemporary Mexican society, through horrifying monsters or cruel human beings, making the prospect of a new release of his in an even more horrifying climate extremely appealing.
阿伯德拉马纳·希萨柯《香山》
The first film of his since the overwhelming critical success Timbuktu, Abderrahmane Sissako’s follow-up is sure to have a huge impact on the festival season in 2020, following a shoot last year. Described as a love story between Africa and China, we expect another thoughtfully profound, politically insightful, and beautifully-shot experience that keeps the Mauritanian director’s name in the conversation of the greatest working filmmakers.
尤金·格林《艾塔拉毕和米盖拉慈》
Following the international acclaim of The Son of Joseph, Green’s next feature seems to be following along the lines of his absurdist exploration of religious tales. While not much has been made clear about the film as of yet, the basic premise focuses on two sons of a goddess, who due to their mortal father, cannot be fully taught by the Gods alone and are entrusted to the devil for their education. While one of them embraces the devil’s teachings, the other rejects and escapes his grasps.
安娜·莉莉·阿米普尔《蒙娜丽莎与血月亮》
Amirpour’s breakout success with A Girl Who Walked Home Alone at Night and the less well-received, but still distinctly impressive The Bad Batch has set her up as one of the best visualists in modern cinema, a filmmaker with a grasp on aesthetic brilliance regardless of genre. Her new film has an increased budget than her previous, making it enticing to any fans of her photography, and seems to have the most emotional narrative of her films to date. The focus on a girl with special abilities running away from the government isn’t the most original but it’ll be no surprise if she delivers another success.
马哈曼特-萨雷·哈隆《Lingui》
Thirty-year-old Amina, a practicing Muslim, lives alone with her only child, the fifteen-year-old Maria. When Amina learns Maria is not only pregnant but wishes to abort the child, the two women face an impossible situation in a country where abortion is legally and morally condemned.
A five week shoot was initially slated for autumn, 2019, and the project is currently categorized as being in the production phase. While Cannes may be unlikely this year due to the film’s production schedule, Saleh-Haroun would likely compete a second time at the Venice Film Festival in 2020.
《Enfant Terrible》
导演: 奥斯卡·罗勒
编剧: 克劳斯·里克特 / 奥斯卡·罗勒
主演: 奥利弗·马苏奇 / 戈兹·奥托 / 卡蒂娅·里曼 / 厄达尔·伊迪兹 / 松妮·梅勒斯 / 亚历山大·谢尔 / 小安托万·莫诺特 / Hary Prinz / Wilson Gonzalez / 西蒙·波尔
类型: 剧情
制片国家/地区: 德国
上映日期: 2020(德国)
《浪潮消弭》
导演: 拉夫·迪亚兹
类型: 剧情
制片国家/地区: 菲律宾 Philippines
片长: 225分钟
又名: 浪潮消弭 / Kapag Wala Nang mga Alon
简介：
影片聚焦一对抢劫银行的友人。其中一人锒铛入狱，另一个人则用这笔钱控制了一个岛屿并成为岛屿的市长。30年后，囚犯获释，将向背叛他的友人血债血偿。影片于2019年12月在菲律宾开机。
《幽灵之国的囚徒》
导演: 园子温
编剧: Aaron Hendry / Reza Sixo Safai
主演: 尼古拉斯·凯奇 / 索菲亚·波多拉 / 艾德·斯克林 / 海 / 坂口拓 / 更多...
类型: 剧情 / 动作 / 惊悚
制片国家/地区: 美国
语言: 英语
又名: 鬼域的囚徒
简介：
本片为园子温英语片处女作，由亚伦·亨德利、Reza Sixo Safai操刀剧本。故事讲述一名被绑架的女孩消失在了黑暗超自然宇宙中，臭名昭著的罪犯英雄(凯奇饰)被派去解救她。他们必须打破束缚他们的邪恶诅咒，逃避统治鬼域的神秘幽灵。这将是一部“东西方风格混合的、美丽与暴力交织的作品”。
尼古拉斯·凯奇和园子温虽然活动在不同的国家，但都是以不羁狂放著称的B级片“鬼才”。这两位“大变态”合作，让人期待会有怎样的成果。艾德·斯克林、伊莫珍·波茨、比尔·莫斯利等也参演。上映时间暂未定。
《悬崖之上》
导演: 张艺谋
编剧: 全勇先
主演: 张涵予 / 秦海璐 / 张译 / 朱亚文 / 于和伟
类型: 剧情 / 悬疑
制片国家/地区: 中国大陆
语言: 汉语普通话
又名: Impasse
《风林火山》
导演: 麦浚龙
编剧: 麦浚龙 / 周汶儒
主演: 金城武 / 梁家辉 / 刘青云 / 古天乐 / 高圆圆 / 杜德伟 / 姜珮瑶 / 卫诗雅 / 黄伟文 / 韦罗莎 / 吴嘉龙 / 林俊贤 / 程东 / 刘永 / 冯庭正 / 卢海鹏 / 陈哲卢 / 卢冠廷 / 甘国亮 / 鲍起静 / 蔡德才 / 李元霸 / 王德顺
类型: 剧情 / 犯罪
制片国家/地区: 中国香港
语言: 粤语
上映日期: 2020(中国香港)
又名: 霓虹夜之子 / Sons of the Neon Night
简介：年度期待之作，麦浚龙上一部导演作品《僵尸》入围了“威尼斯日”单元，这次如果要去可以展望下地平线单元。不过去年港媒爆料说《风林火山》将在今年暑期档上映，如果是真的，那看看能不能空降戛纳吧，这片比较适合“午夜展映”单元。
《柳川》
导演: 张律
编剧: 张律
主演: 倪妮 / 张鲁一 / 辛柏青 / 池松壮亮 / 中野良子
类型: 剧情 / 爱情 / 家庭
制片国家/地区: 中国大陆
语言: 汉语普通话 / 日语 / 英语
上映日期: 2020(中国大陆)
又名: Yanagawa
简介：立春、立冬是一对性格迥异的亲兄弟。步入中年后，尽管两人都生活在北京，却因各自生活轨迹所累，疏远已久。突有一日，弟弟立冬向哥哥提议共游日本柳川，去寻找两人少年时代共同爱慕的女子。
本片也是张律阔别华语影坛10年之后，再次回归华语影坛的作品，影片由耐安监制。电影于一月底在日本杀青。
张律是三大电影节次级单元常客——
柏林：
2007年：边界(主竞赛)
2010年：图江们(新生代单元)
2019年：福冈(论坛单元)
戛纳：
2005年：芒种(ACID单元)
威尼斯：
2001年：11岁(短片竞赛)
洛迦诺：
2014年：庆州(主竞赛)
釜山：
2005年：芒种(新浪潮奖竞赛单元)