个人首次发布资源。
如有侵权，请联系吧务组、吧主删除。





感谢@寂梦溯遥

【朱诺】
提取码： b66a8430-85bf-11de-bca7-0014221f469f
下载地址：http://www.rayfile.com/files/b66a8430-85bf-11de-bca7-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/984802/



【曾经】
提取码：ec201c4c-85bb-11de-b748-0014221f469f
下载地址：http://www.rayfile.com/files/ec201c4c-85bb-11de-b748-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/984398/



【春光乍泄】
提取码：daec4854-85b8-11de-933f-0014221f469f
下载地址：http://www.rayfile.com/files/daec4854-85b8-11de-933f-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1354290/




【虫师原声集2増田俊郎】
提取码 bedc6300-8645-11de-95dd-0014221f469f
下载地址http://www.rayfile.com/files/bedc6300-8645-11de-95dd-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1098720/




【低俗小说】
提取码 0829864a-864a-11de-8090-0014221f469f
下载地址http://www.rayfile.com/files/0829864a-864a-11de-8090-0014221f469f/




【放牛班的春天】
提取码 4fa0837a-864c-11de-bf7d-0014221b798a
下载地址http://www.rayfile.com/files/4fa0837a-864c-11de-bf7d-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/984711/





【关于莉莉周的一切】
提取码： f995f8b3-864f-11de-80a2-0014221f469f
下载地址：http://www.rayfile.com/files/f995f8b3-864f-11de-80a2-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1101775/




【花火】
提取码： daa1c8b0-8653-11de-a3bd-0014221b798a
下载地址：http://www.rayfile.com/files/daa1c8b0-8653-11de-a3bd-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/1101745/




【花与爱丽丝】
提取码： b1361547-8656-11de-8cb1-0014221f469f
下载地址：http://www.rayfile.com/files/b1361547-8656-11de-8cb1-0014221f469f/

专辑简介：http://www.mtime.com/my/mcy/blog/1068905/





【假如爱有天意】
提取码： 1b3f5afd-8659-11de-8a16-0014221b798a
下载地址：http://www.rayfile.com/files/1b3f5afd-8659-11de-8a16-0014221b798a/

专辑简介：http://www.mtime.com/my/mcy/blog/1101734/





【久石让作品】
提取码： 1e83a626-865d-11de-9191-0014221f469f
下载地址：http://www.rayfile.com/files/1e83a626-865d-11de-9191-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1093838/





【菊次郎的夏天】
提取码： d8969994-865e-11de-a318-0014221f469f
下载地址：http://www.rayfile.com/files/d8969994-865e-11de-a318-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1101760/





【蓝莓之夜】
提取码： f1ce98fa-8661-11de-9e3c-0014221b798a
下载地址：http://www.rayfile.com/files/f1ce98fa-8661-11de-9e3c-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/984729/






【魔法奇缘】
提取码： 7f7feb00-8665-11de-9ce9-0014221f469f
下载地址：http://www.rayfile.com/files/7f7feb00-8665-11de-9ce9-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1085750/





【青春残酷物语】
提取码： 426ade78-8668-11de-8a8e-0014221f469f
下载地址：http://www.rayfile.com/files/426ade78-8668-11de-8a8e-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1162981/





【紫醉金迷】
提取码： 2bb310c2-8728-11de-bfef-0014221f469f
下载地址：http://www.rayfile.com/files/2bb310c2-8728-11de-bfef-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1141375/





【伊莎贝拉】
提取码： 88fca151-8724-11de-ab63-0014221b798a
下载地址：http://www.rayfile.com/files/88fca151-8724-11de-ab63-0014221b798a/

专辑简介：http://www.mtime.com/my/mcy/blog/1000691/




【燕尾蝶】
提取码：d19caba6-8721-11de-be94-0014221f469f
下载地址：http://www.rayfile.com/files/d19caba6-8721-11de-be94-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1085831/





【岩井俊二精选】
提取码： 29025a28-8720-11de-8402-0014221f469f
下载地址：http://www.rayfile.com/files/29025a28-8720-11de-8402-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1101721/




【玩偶】
提取码： cf5c6642-871c-11de-a873-0014221b798a
下载地址：http://www.rayfile.com/files/cf5c6642-871c-11de-a873-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/1065348/




【太阳照常升起】
提取码： f65941dc-8719-11de-bbee-0014221f469f
下载地址：http://www.rayfile.com/files/f65941dc-8719-11de-bbee-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1093672/




【四月物语】
提取码： b6bbce26-8713-11de-8513-0014221b798a
下载地址：http://www.rayfile.com/files/b6bbce26-8713-11de-8513-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/1093556/




【水の旅人】
提取码： f62a10c0-8710-11de-a13d-0014221f469f
下载地址：http://www.rayfile.com/files/f62a10c0-8710-11de-a13d-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/1102025/




【伤城】
提取码： 2d9e555c-870e-11de-b1ae-0014221b798a
下载地址：http://www.rayfile.com/files/2d9e555c-870e-11de-b1ae-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/1000659/




【青蛇】
提取码： 1be754a6-870c-11de-917e-0014221b798a
下载地址：http://www.rayfile.com/files/1be754a6-870c-11de-917e-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/1000677/



【迷幻公园】
提取码： ec1f1907-8709-11de-b4e6-0014221b798a
下载地址：http://www.rayfile.com/files/ec1f1907-8709-11de-b4e6-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/1062370/




【玫瑰人生】
提取码： f8927826-8705-11de-937e-0014221f469f
下载地址：http://www.rayfile.com/files/f8927826-8705-11de-937e-0014221f469f/
专辑简介：http://www.mtime.com/my/mcy/blog/984744/




【花样年华】
提取码： b73c98ca-8700-11de-bc8a-0014221b798a
下载地址：http://www.rayfile.com/files/b73c98ca-8700-11de-bc8a-0014221b798a/
专辑简介：http://www.mtime.com/my/mcy/blog/1102049/

Sight & Sound
Q: What is your favourite film soundtrack music and why do you like it so much?


--------------------------------------------------------------------------------

Badly Drawn Boy
(Mercury Music prize winner Damon Gough composed the music for About A Boy)
"One that always springs to mind is Midnight Cowboy (1969). There are quite a few good moments in that soundtrack. There is the John Barry side of the score which is brilliant just as a thematical thing, which even if you're just listening to the soundtrack takes you back to moments in the film. It's a universal piece of music which stands alone, which is cool. And you've got the Fred Neil song as well which kick-starts the whole film; that's the most memorable bit of the whole film. Jon Voight is stood on the street and the start of 'Everybody's Talkin' kicks in and its just perfect again; the perfect balance of image and sound. It is really eclectic: the Barry stuff, the Neil song, which is very memorable, and then there's all this weird psychedelic music by bands of the day, for example, Elephant's Memory. There's so much diversity in that soundtrack. On a simple level, I'm a big fan of Michael Nyman's work, stuff like The Piano (1993); so together. The stuff he wrote made the film so perfect."
Cinematic Orchestra

(Rescored Dziga Vertov's Man with a Movie Camera)
"Well, I think one of my favourite film soundtracks is O Brother Where Art Thou? (2000). The soundtrack is a compilation of old folk, bluegrass and gospel. It is a wonderful score, or should I say a wonderful compilation. The soundtrack in this specific film is so choreographed to the movie and visa versa. It poses the question, what came first the movie or the music? The soundtrack has such a feel good quality which enhances the specific scenes......"
Coldcut
(Coldcut are Jonathan More and Matt Black, DJs and remixers who are often credited with inventing 'Big Beat')
"Bladerunner (1982). The film is perfect and the music matches the film. Coldcut's first engineer Raine Shine assisted Vangelis on it."
John Luther Adams
(Composer from Alaska. Former percussionist with the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra)
"My favourite film music is in The Drums of Winter (1988) by Leonard Kamerling and Sarah Elder. This music was not composed for the film. The music is the subject of the film. In The Drums of Winter we see and hear traditional songs of the Yup'ik people of Western Alaska performed with dances in the intimate setting of the potlatch ceremony. The sound and the cinematography are equally strong. There is no narration, no one who tells us what to think. Rather than watching from the outside, we feel as though we're inside the dance house experiencing each moment with the community."
Barry Adamson
(Performed in the groups Magazine, Visage, and The Bad Seeds and contributed music to Lost Highway and The Beach)
"I think it has to be Bernard Herrmann's score for Taxi Driver (1976). The combination of the 'Travis Bickle' inner world portraiture, set amongst the seedy urban NY (at that time) landscape, Herrmann's depth of musical vision (for me) amazingly surpasses the idea that Scorsese wanted, of Herrmann merely repeating Psycho (1960) which he throws in a lick from, anyway). He even sets us up in Travis' past by use of military drums that echo Bickle's past disturbance of the Vietnam war, commenting on his ability to 'snap into a distorted regimen once his obsessions have ensnared him. Genius."
David Arnold
(Composed the music for Independence Day, Zoolander)
"Absolutely impossible for me to say that I have one enduring favourite. I have many and they change fairly frequently. There are scores that I admire for their technical or musical complexity, structure and approach, others that I like for their sheer emotional power, some which combine all the above and others that simply appeal to me and I haven't got a clue why. Ask me tomorrow and I may have a different list but among my many favourites are On Her Majesty's Secret Service (1969), Taxi Driver (1976), Robin Hood, Once Upon a Time in America (1983), The Good, the Bad and the Ugly (1966), E.T. (1982), Psycho (1960), 633 Squadron (1963). Which all adds up to a greatest hits of popular films and scores really, but I guess that's why they're popular."

Charles Bernstein
(Composed the music for A Nightmare on Elm Street)
"I have many favourite film scores. Some are well known, such as Ennio Morricone's The Good, the Bad and the Ugly (1966). Some of them are less well known, such as Jerry Goldsmith's A Patch of Blue (1965), or Under Fire (1983). And some are virtually unknown, such as Luis Bacalov's Polish Wedding (1998), or Patrick Williams' Julian Po (1997). The reasons, of course, vary with each individual film, but the overriding reasons are essentially the same. They are distinctive, unique to the film, thematic, evocative, memorable, unified, and well written."
Claude Bolling
(Composed the music for California Suite)
"Of course, most of the scores by John Williams and Bernard Herrmann"
DJ Brahms
(House and techno DJ performing Big Beat)
"My favourite soundtrack music would have to be the soundtrack music to the movie A Clockwork Orange (1971). While the music was not composed for the movie (obviously) Kubrick does an amazing turn with very familiar songs in an unfamiliar setting. This irony is best seen in the scene where the kids are raping and beating people up to 'Singin' in the Rain'. Also the scene of 'Ode to Joy' playing while Alex is watching scenes of horror such as the atom bomb and the holocaust is fantastic."
Neil Brand
(Composer and silent film accompanist. Rescored South, Sir Ernest Shackleton's Glorious Epic of the Antarctic and Alfred Hitchcock's The Ring. Recently composed a new jazz score for E. A. Dupont's Piccadilly)
"For musicality, my favourite score is Alex North's for A Streetcar Named Desire (1951) - the music is so deep inside the characters that every emotional twist is marked musically - you can play the score alone and see the shots in your head in real time, it's so closely integrated. Also jazz is the only language for that play in that location and, like all good scoring, it tells you so much more than you can see. I have learnt an enormous amount about both dramatic scoring and musical voicing by listening again and again to that score. For understatedness, John Williams's Schindler's List (1993) is superb - I came out of that movie convinced there was only a few minutes of music in it - when I heard the 75 minute CD every scene the music underscored came straight back to mind. Finally for minimalism the Howard Shore soundtrack for Cronenberg's Crash (1996) is a masterpiece, cold, mesmeric and stripped down to the barest essentials. It's always great to hear a forthcoming movie summed up in the first few notes you hear."
Joanna Bruzdowicz
(Frequent composer for Agnès Varda's films, including Vagabonde)
"I have two favourite soundtracks: The first, the real 'classic' in this field: Psycho (1960), by Bernard Herrmann, because of his wonderful use of strings, some kind of Bela Bartók sound (my favourite composer too) and incredible 'maitrise' of growing tension and my fear. The second is: The Firm (1993), by Dave Grusin. I was fascinated by the piano-suspense-jazz, played by the composer himself. The only piano sound for all very dramatic situations was great discovery, huge musical pleasure. I always pretend, that is not necessary to have 120 musicians in film music score to get the real dramatic expression!"